So it’s been a hot sec! We’re entering the last few weeks of the semester, so I’m just chugging along on long term projects like the LP collection inventory (I’m at number 238!) and the Tennessee Williams research guide. I’m still getting intermittent patron requests — like right now I’m trying to figure out how to summarize the contents of the 27ish boxes of David Mamet journals so they can decide whether it’s worth it to fly to Austin and look themselves. Since none of my projects are super urgent, I can help out other interns on days like today, when someone was pulling materials for a class discussing themes of charity in Shakespeare’s King Lear. Because I was in several performances of King Lear with the Shakespeare at Winedale program and conducted research on textual differences in Lear in a class before that, I offered a few leads on materials to pull for the class. We looked at Donald Wolfit’s promptbook from World War II, which had staging, lighting, and director’s notes, as well as Tom Stoppard’s early draft of Rosencrantz and Guildenstern are Dead called Rosencrantz and Guildenstern Meet King Lear.
Today was a day of a bit of distraction, admittedly… BUT! I found something on my way to the room with the LP collection that seriously blew my mind. I saw a box shaped like the ones that hold hats in the costume collection, but in the Woody Allen collection. Obviously I had to open it up to peek inside. What did I find, but a Woody Allen mask??? At first glance when I lifted the lid, it looked like there was a human head in there, and I almost screamed. Now that box will stare at me every time I walk down the hallway…
I try not to be too hard on myself for spending a little time exploring, because the serendipitous magic of the archives continues to fuel my love for research. I know there will never come a day when I am no longer surprised by something I find in the Ransom Center. It’s an incredible space to work, and I’m so so so lucky to be here.